Benjamin vautier swiss anti aging. Artpool - The Experimental Art Archive Of East-Central Europe

The work represented in the Artpool archive is astonishing in its scope and quantity, quality of imagination, intellectual force, and the courage of the artists who created it. Artpool is the achievement of György Galántai and Júlia Klaniczay, who imagined, created, supported, and sustained Artpool.

They generated and recorded experimental art for nearly four decades; supported artists throughout the world by organizing, displaying, and publishing their work; and made available to scholars the rich resources of their unparalleled artist archive, which contains an enormous database of a range of art in various media, the history of events and exhibitions, ongoing exhibitions, and a wide variety of publication genres.

Simultaneously an archive and an artwork, Artpool is without peer.

So where to begin: of course, at the beginning, in a chapel. The most direct consequences of such pressure came in when the state shut down the chapel that Galántai founded in in the lakeside town of Balatonboglár. Having converted the chapel into a studio and opening it to an exhibition space inthe ban put a temporary end to his work and the activities of the thriving community of conceptual artists exhibiting their advanced work in his chapel studio.

Two difficult decades ensued for Galántai, whose daily life was recorded benjamin vautier swiss anti aging reported to the authorities until She stood with him not as a comrade but as a lover, and together they launched Artpool in True to its purpose as an archive, they set Artpool the task of producing, collecting, and cataloguing, resolutely insisting upon and persisting in constructively altering the past while mindful of the continuing ways it shaped the future. Galántai and Klaniczay must also be credited with changing the destiny of the art of hundreds of artists, poets, and intellectuals whose names, works, and contributions may now be studied.

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For in refusing to submit to the unique form of insidious repression of artists through intimidation, self-censoring, isolation, and forced anonymity, through their work in Artpool, they rescued a critical segment of cultural history from oblivion and the moribund quagmire to which it might otherwise have been condemned by both communism and capitalism.

The Artpool archive pooled resources, hosted visiting artists, and exploded with activities from film screenings and concerts to radio programs, and more, to say nothing of its prodigious publications and samizdat program, which preserved rare and fragile histories.

The state amassed evidence of dissidents in order to control and prohibit the very behaviors and products that Artpool initiated and safeguarded, nurturing an ever growing and evolving network throughout the world.

Átírás 1 2 Dr. So far, Hungary hosted five indoor World Championships, starting with the women s world title contests back inand they have come a long way since, leaving no doubt that the Women s Junior World Championship will become an event to remember.

Artpool operated as an open source, artist-run, archive-as-artwork located in Budapest and interconnected with the world despite belonging to the communist blocwhile the state dictated from the Soviet Union operated locally as a snake biting its own tail. Moreover, while the state struggled to impede individual choice and silence memory, Artpool established an alternative model of the archive, explicitly one with a preservative ethics in which documentary material would be utilized to distribute power and revive memory.

Translated by Jan Vadislav. A Personal Account, in this volume, page But Artpool as an artwork evolved from an amalgam of critical conceptual frameworks. Erdély participated in events at the chapel and Benjamin vautier swiss anti aging admired him.

It is safe to say that no artistic movement has been as selfsustaining as long as Artpool, not even Surrealism. The question then becomes: Is this volume a testimony to Artpool as an artistic movement, or even an avant-garde of two? The answer is yes and no: yes, because Artpool — the artwork — is Galántai and Klaniczay; no because Artpool — the archive — is everything it contains.

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As an artwork, Artpool will not survive Galántai and Klaniczay. As an archive, Artpool will continue to educate future generations about art in a time of repressive historical circumstance and a period, preinternet, of successful efforts to establish and nourish an international cultural network.

• Legjobb ránctalanító krém pattanásos bőrre
• Тем временем Свистушка, теперь уже рассердившаяся снова, так как фермер разбудил ее, поняла, что, когда муж закончит пить, он отправится в спальню и попытается принести извинения в постели.
• Films arrived - aranybanajovo.hu
• Когда члены Совета направились к выходу, более чем половина людей поднялась из-за столов.

In this regard, Artpool could be understood as a form of the eternal network. See page — of this volume.

Néprajzi Értesítő. Journal of Folklore.

From its very conception, the Artpool project has been known for its continuous aspirations and efforts to document; yet, when we decided to finally compile the benjamin vautier swiss anti aging chronology of our story, we realized that we sometimes lacked the energy to adhere to consistent self-documentation in tandem with the organization of programs and the managing of the archives. As a result, benjamin vautier swiss anti aging have no photographs but, at best, contemporaneous video footage of lesser quality portraying numerous events, especially those in the early s, which these days can be regarded as bearing historical significance.

We would have welcomed it if we ourselves did not have to be the editors of this book. Nor would we mind if there was a comprehensive and analytical essay or study based benjamin vautier swiss anti aging in-depth research written by a member of benjamin vautier swiss anti aging younger generation of art researchers that we could publish. We did not, however, wish to commission a piece of writing like this, nor did we wish to give up the opportunity to take an active part in publishing the documents of our activities that spanned over several decades and — without wishing to sound pretentious — political eras.

Given the resources at our disposal, we decided to compile a comprehensive selection of extant texts and visual materials in order to produce a well-organized publication that we hope conveys some of what Artpool stands for; at the same time, we hope it impresses on the readers what the excitement of the — not exclusively intellectual — adventure of the past few decades that the operation of Artpool, along with the relationship and cooperation with numerous outstanding art workers worldwide, meant to us.

That said, we may as well close this part of our story. The backbone of the volume consists of the chronology of some events benjamin vautier swiss anti aging from the foundation of Artpool inand the notes based on the documents and registers kept in Artpool the photo- video- and audio materials, the complete bibliography of our activity, as well as work notes, letters, faxes and diary entries initially arranged during the preparatory research conducted for the writing of this volume.

We sought to compile the materials in such a way that the volume would be able to lend itself as a suitable starting point for those wishing to carry out research on specific periods and events. In order to make the identification of individual documents easier, the Hungarian titles of the events included in the chronology are added — in light grey print.